Nineteenth-century novel, Year 10: respectability and fear in the 1880s, language, setting and symbols (The Strange Case of Dr Jekyll and Mr Hyde option):全部卡片
整套按顺序列出——孩子看到之前,您可以先通读一遍。
- In which year was the novella first published? (year, four digits)
1886
提示In the mid-1880s, during Queen Victoria's reign.
为什么It was published in London and New York within days of each other in January 1886, and was an immediate success.
- The cheap paperback thrillers of the time, priced at a shilling, were nicknamed what? (two words)
shilling shockers
提示A nickname made from the price and the effect.
为什么The book was first sold in this form but became a best-seller, taken seriously by critics. The novella shows how a popular thriller can also ask serious questions.
- After Darwin's The Origin of Species, what did many Victorians fear about human beings?
That if people could evolve from apes, they could also slip back into something more ape-like and primitive
提示A fear of going backwards rather than forwards.
为什么This fear was called devolution. Hyde is smaller, hairier and more bestial than Jekyll, and he acts with ape-like fury, so the book plays on this anxiety.
- Which respectable Edinburgh figure with a secret life as a burglar inspired an earlier play by Stevenson?
William (Deacon) Brodie
提示A cabinet-maker and council member.
为什么Brodie was a deacon by day and a thief by night. Stevenson had been interested in such double lives since his teens, long before he wrote the novella.
- What word describes the Victorian habit of seeming respectable in public while hiding private behaviour? (one word)
hypocrisy
提示To pretend to be better than you are.
为什么The book has been called a guide to the contrast between outward respectability and inward lust. Jekyll's need to look dignified is what drives him to create Hyde.
- According to Stevenson, how did the story begin?
With a dream: he dreamt scenes of a voluntary change becoming involuntary
提示He used a night-time vision.
为什么He wrote it in days, and his wife thought it was an allegory. He burned his first draft and rewrote it in a different spirit.
- What details in Chapter 1 show that the door in the by-street is a secret entrance rather than an ordinary front door?
It has neither bell nor knocker, and is blistered and stained
提示An ordinary house needs something for visitors to use.
为什么The door is described as sordid and neglected, with tramps and children using the steps. It sits in sharp contrast with the polished street around it.
- In Chapter 1 the by-street is compared to “a fire in a forest”. What is the effect of this comparison?
It makes the bright, prosperous street stand out against its dingy neighbourhood, so the door seems more sinister
提示A single light surrounded by darkness.
为什么The tidy shop fronts with shining brass contrast with the blistered door in the same street. Stevenson sets safe, orderly London against the hidden London of the door.
- Jekyll's house has a polished front on a fashionable square and a neglected back on a by-street. What idea does this suggest?
That Jekyll has a public, respectable face and a hidden, shameful one
提示The same building shows two sides to the world.
为什么The pattern of two faces is repeated in the story: the house, the man and the city. It is a symbol that the reader can use in an essay on duality.
- In Chapter 4 the narrator describes “a great chocolate-coloured pall” of fog over the city. What does fog suggest in the novel?
Secrecy and confusion: the truth is hidden from view
提示Think about what it does to what you can see.
为什么The fog covers the search for Hyde, which makes London seem like a place where anything can be hidden. The word pall also hints at death, since it can mean a cloth over a coffin.
- In Chapter 2 Utterson says Hyde may be “troglodytic”. What does this word suggest?
That Hyde is like a cave-dweller: primitive, and less than a modern civilised man
提示A word for people who once lived in caves.
为什么It is one of several words that connect Hyde with the animal and prehistoric. Utterson uses it half in jest, but it fits with the novel's fear of going backwards.
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