English Literature

Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)

Professor QuillPoetry11 张卡片免费 · 无需注册

AQA依据 AQA GCSE English Literature (8702) 的考试大纲编写:3.2.2 Poetry: Power and Conflict。AQA 未审阅过这些卡片。

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English LiteraturePoetry, Year 11: Poppies and War Photographer (Power and Conflict option)
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English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…Who is the speaker of Poppies?
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★ GCSE-ENLI-POE-0055正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

A parent, almost always read as a mother, whose child has left home, apparently for the army

提示Not a soldier.

为什么The poem shows conflict from the side of those left behind. It never says outright that the speaker is a woman or that the child has gone to war.

★ GCSE-ENLI-POE-0055背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…To whom is the whole of Poppies addressed?
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★ GCSE-ENLI-POE-0056正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

The speaker's absent child, spoken to as you throughout

提示The poem reads like one side of a conversation.

为什么Speaking directly to him makes the poem intimate. He never answers, which is part of the loss.

★ GCSE-ENLI-POE-0056背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…Poppies is set a few days before a day of remembrance. What name does the poem give that day?
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★ GCSE-ENLI-POE-0057正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

Armistice Sunday

提示Its name joins the word for the 1918 ceasefire to a day of the week.

为什么The poem opens with the parent fastening a paper poppy to the child's jacket. The public act of remembering the war dead is set beside one private goodbye.

★ GCSE-ENLI-POE-0057背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…After her son has gone, where does the speaker of Poppies end up at the close of the poem?
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★ GCSE-ENLI-POE-0058正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

At a memorial to the war dead, beside a churchyard

提示A place where names are carved.

为什么She has followed a dove there. She listens, hoping to catch the child's voice as it sounded years ago at school. Whether the child has died or simply left is not made clear.

★ GCSE-ENLI-POE-0058背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…Which other poet in the Power and Conflict cluster asked Jane Weir to write Poppies, for a set of new poems about war?
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★ GCSE-ENLI-POE-0059正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

Carol Ann Duffy

提示She became Poet Laureate in 2009.

为什么British soldiers were then dying in Iraq and Afghanistan. Weir chose to write about a mother, a voice war poetry had rarely given room to.

★ GCSE-ENLI-POE-0059背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…Where is the photographer during the poem War Photographer?
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★ GCSE-ENLI-POE-0060正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

In a darkroom at home in England, developing his pictures

提示A room lit by a red lamp.

为什么He is alone and safe, far from the places he photographed. The quiet of the room lets the memories come back.

★ GCSE-ENLI-POE-0060背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…In the first stanza of War Photographer, the photographer at work is compared to which figure?
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★ GCSE-ENLI-POE-0061正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

A priest getting ready for a church service

提示The darkroom is treated as a holy place.

为什么The comparison makes his work a solemn duty to the dead. He lays out his reels of film in neat lines, with the care of a ritual.

★ GCSE-ENLI-POE-0061背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…How is War Photographer set out: in regular or irregular stanzas?
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★ GCSE-ENLI-POE-0062正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

Regular: four stanzas of six lines each, with a fixed rhyme pattern

提示Count them; they match.

为什么One reading is that the tidy form matches the way he puts chaos into order, as his neat lines of film do. The horror is held inside a neat frame, like a photograph.

★ GCSE-ENLI-POE-0062背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…The photographer has taken a great many pictures. What will his editor do with them?
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★ GCSE-ENLI-POE-0063正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

Choose just a handful to print in a weekend supplement

提示Most will never be seen.

为什么Roll after roll of suffering is cut down to a few images chosen to suit a magazine. The poem is critical of the trade as well as of the readers.

★ GCSE-ENLI-POE-0063背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
先在心里作答…How does War Photographer say the newspaper's readers will react to the pictures?
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★ GCSE-ENLI-POE-0064正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

They will be moved for a moment and then go back to their comfortable day

提示It happens between one weekend routine and the next.

为什么The poem ends with him in the air again, looking down on a homeland he feels is indifferent. Duffy's target is the comfort of people who look and move on.

★ GCSE-ENLI-POE-0064背面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill
⌨ 打字作答先在心里作答…In which year was War Photographer published? (year, four digits)

★ GCSE-ENLI-POE-0065正面

English Literature · Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)Professor Quill

1985

提示In the middle of the 1980s.

为什么Carol Ann Duffy was later Poet Laureate, from 2009 to 2019. The poem names three cities known for conflict in those years, one of them in the United Kingdom.

★ GCSE-ENLI-POE-0065背面

Poetry, Year 11: Poppies and War Photographer (Power and Conflict option)

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Poetry, Year 11: Poppies and War Photographer (Power and Conflict option) 在课程地图上的位置

English Literature 课程地图上的 2 个点,跨越 Y11。暗淡的星是这门学科的其余部分——这套卡组是被点亮的那一片。

打开 GCSE 地图 →

只表示位置,不代表掌握程度——地图显示这些卡片在哪里,而不是孩子学会了什么。

把学到的留下来

在这个页面上,练习不会被保存。在孩子自己的星空里,每一张卡都有排程——在快要忘记之前重新出现——写这张卡的教授也只有一步之遥。