English Language

Analysing texts, Year 11: non-fiction language and comparing two writers

Professor QuillAnalysing Texts15 cardsFree · no account needed

AQAWritten against AQA GCSE English Language (8700): Paper 2: Writers' viewpoints and perspectives. AQA has not reviewed these cards.

Answer in your head, then tap to check. Slide or use the buttons to grade.

English LanguageAnalysing texts, Year 11: non-fiction language and comparing two writers
1 / 15
English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…The language question on Paper 1 is worth 8 marks. Is the language question on Paper 2 (question 3) worth more, fewer or the same?
Tap to check

★ GCSE-ENLA-ANA-0022Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

More: 12 marks

HintRecall the pattern of the four question weightings on Paper 2 and where language comes.

The whyPaper 2 question 3 uses one source and a named set of lines, like its Paper 1 partner, but with half as many marks again it needs a fuller answer.

★ GCSE-ENLA-ANA-0022Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
⌨ Type the answerAnswer in your head…'We all know what it is to wait for a bus that never comes.' Type the one word that puts the writer and the reader on the same side. (one word)

★ GCSE-ENLA-ANA-0023Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

we

HintLook for the pronoun that includes the speaker among the audience, as in a rallying cry.

The whyThe inclusive pronoun 'we' assumes the reader shares the writer's experience. It is a quiet persuasive method: the reader has agreed with something before any argument has been made.

★ GCSE-ENLA-ANA-0023Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…'A heart surgeon with thirty years of experience calls the plan reckless.' Which persuasive method borrows the authority of someone who ought to know?
Tap to check

★ GCSE-ENLA-ANA-0024Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

Expert opinion

HintAsk why the writer bothers to mention this person's job.

The whyReaders trust people with knowledge of a subject, so a writer who quotes one borrows that trust. A careful reader also asks whether this person's knowledge really covers the point being argued.

★ GCSE-ENLA-ANA-0024Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
⌨ Type the answerAnswer in your head…A writer whose house has just been flooded calls it 'a slight inconvenience'. What is the term for deliberately making something sound smaller than it is? (one word)

★ GCSE-ENLA-ANA-0025Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

understatement

HintThink of dry British humour, such as calling a disaster 'a spot of bother'.

The whyUnderstatement often creates dry humour or shows a writer keeping calm. Because the reader can see the gap between the words and the facts, it can hit harder than exaggeration.

★ GCSE-ENLA-ANA-0025Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…(A) 'Last year 3,000 hedgehogs died on our roads.' (B) 'I found one on my drive, curled around an injury it could not survive.' Which sentence works mainly on the reader's feelings?
Tap to check

★ GCSE-ENLA-ANA-0026Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

B

HintThink about which sentence would still work on a reader who ignored the numbers.

The whyA statistic appeals to reason and shows the scale of a problem. One animal, closely described, appeals to emotion. Non-fiction writers often use the two together, and a language answer should say which is doing what.

★ GCSE-ENLA-ANA-0026Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…Paper 2 question 4 asks you to compare the two writers. How much of each source does it cover?
Tap to check

★ GCSE-ENLA-ANA-0027Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

The whole of both sources

HintCompare the instruction for question 4 with the line-referenced instructions of earlier questions.

The whyQuestions 1 and 3 name the lines to use. Question 4 opens up everything in both sources, so you choose the moments that best show how each writer feels.

★ GCSE-ENLA-ANA-0027Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
↔ Asked both waysAnswer in your head…What a writer thinks and feels about the subject they are writing on
Tap to check

★ GCSE-ENLA-ANA-0028Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

The writer's viewpoint (perspective)

HintThink of the attitude behind the words: what stance does the author take?

The whyPaper 2 is called 'Writers' viewpoints and perspectives'. A viewpoint is not always stated: it shows in tone, in what the writer chooses to mention, and in the words they pick.

★ GCSE-ENLA-ANA-0028Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…In a comparison, which word tells the reader that two writers agree: 'likewise' or 'however'?
Tap to check

★ GCSE-ENLA-ANA-0029Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

'Likewise'

HintRecall which of these linking words you would use to add a similar point.

The whyComparison needs signpost words. 'Likewise', 'similarly' and 'both' mark agreement; 'however', 'whereas' and 'in contrast' mark difference. Using them keeps the two texts linked in every paragraph.

★ GCSE-ENLA-ANA-0029Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…In 1850 one writer calls a factory 'a marvel of the age'. In 2020 another calls a factory 'a scar on the valley'. The subject is the same. What is different?
Tap to check

★ GCSE-ENLA-ANA-0030Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

The writers' attitudes to it

HintNotice the emotion each choice of noun carries; what does that reveal about the authors' stance?

The whyOne writer admires and the other condemns. The 170 years between them is part of the reason: what counted as progress in 1850 can look like damage now. A comparison answer says what each thinks and why they might differ.

★ GCSE-ENLA-ANA-0030Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…A pupil writes a full page on Source A, then a full page on Source B, and never links the two. Which skill named in the question is missing?
Tap to check

★ GCSE-ENLA-ANA-0031Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

Comparison

HintReread the question's instruction verb and ask whether your two pages meet it.

The whyTwo separate accounts, however good, do not compare. The mark scheme's lowest level describes simple cross reference; the higher levels need the two writers set against each other throughout.

★ GCSE-ENLA-ANA-0031Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…Paper 2 question 4 asks you to compare two things. One is the writers' ideas and perspectives. What is the other?
Tap to check

★ GCSE-ENLA-ANA-0032Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

The methods they use to convey them

HintIt is the half of the comparison that looks at the writing itself.

The whyAO3 is in two halves: compare the writers' ideas and perspectives, and compare how these are conveyed. An answer that only says what each writer thinks has done half of it.

★ GCSE-ENLA-ANA-0032Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…Which sentence compares methods and not only viewpoints? (A) 'Writer A loves the sea and Writer B fears it.' (B) 'Writer A lists gentle verbs to make the sea inviting, while Writer B's short, clipped sentences make it threatening.'
Tap to check

★ GCSE-ENLA-ANA-0033Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

B

HintWhich sentence names a technique, not just a feeling?

The whySentence A compares what the writers feel. Sentence B compares what they do with language to make the reader feel it, and still shows the difference in viewpoint.

★ GCSE-ENLA-ANA-0033Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…In a comparison question, does 'methods' mean what the writers think, or how they get it across?
Tap to check

★ GCSE-ENLA-ANA-0034Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

How they get it across

HintThink about the difference between content and technique in a comparison task.

The whyMethods include word choice, imagery, tone, sentence forms and the way the text is organised. A viewpoint is the destination; the methods are the route the writer takes to bring the reader there.

★ GCSE-ENLA-ANA-0034Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…Two plans for a comparison: (A) everything about Source A, then everything about Source B; (B) point by point, taking both sources in each paragraph. Which keeps both texts in play throughout?
Tap to check

★ GCSE-ENLA-ANA-0035Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

B

HintThink of the usual advice for a fluent comparison: integrate, do not separate.

The whyA point-by-point plan compares in every paragraph. Plan A tends to produce two separate essays with the comparison squeezed into a final sentence.

★ GCSE-ENLA-ANA-0035Back

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill
Answer in your head…Writer A uses 'we' and 'our' throughout. Writer B uses 'one' and the passive voice. Which writer sounds closer to the reader?
Tap to check

★ GCSE-ENLA-ANA-0036Front

English Language · Analysing texts, Year 11: non-fiction language and comparing two writersProfessor Quill

Writer A

HintConsider the effect of first-person plural versus impersonal wording on closeness.

The whyInclusive pronouns draw the reader in; 'one' and the passive sound formal and distant. A small grammatical choice like this is a method, and comparing it across two texts is exactly what the question rewards.

★ GCSE-ENLA-ANA-0036Back

Analysing texts, Year 11: non-fiction language and comparing two writers

15 cards

0Got it
0Tricky
15Skipped
Adopt into my skyNo account yet? See plans
Where this deck sitsRead all 15 cards as text

Where Analysing texts, Year 11: non-fiction language and comparing two writers sits on the curriculum map

3 points on the English Language map, across Y11. The faint stars are the rest of the subject — this deck is the lit part.

Open the GCSE map →

Positional, never a mastery claim — the map shows where these cards live, not what your child has learned.

Keep what you learn

Here, nothing is saved. In your child’s own sky every card is scheduled — it comes back just before they’d forget it — and the professor who wrote it is one tap away.